Non-places, a series of imagistic objects, questions the nature of significance attributed by humans. By employing a variety of modes and mediums these works mitigate the boundaries between artistic disciplines of painting, sculpture, printmaking, and photography. These pieces inhabit the same space as the viewer, creating some dilemma in understanding them as paintings. Historically painting is viewed as a mechanism for viewing the world either as a mirror or a window that address reality. Simultaneously, there is emphasis on the relationship between signifier and signified and the meanings that are generated in that threshold. By stressing the relationship between what is shown and what is implied, these cubes allow for a questioning of designation as it defines reality.
